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May 07 08:24

Who Was Your Favorite G. I. Joe?

Everyone has someone who they admire. I know I’ve said it before, but it’s important. Outside of workshops or critique groups, it’s always good as a writer to have someone in your group of colleagues whom you can go to for honest, thorough criticism. Whether it’s truly a mentor or not, it’s good to have that person to rely on when you’re in need of some wisdom.

I have three people who I regularly refer to when I’m in need of some words – sometimes of wisdom, sometimes of sarcasm, sometimes just something off the wall.

One of them is John McIntyre, who writes the blog You Don’t Say. While he is a journalist, and I a fiction writer and editor, there is a shared love of language that always makes me eager to read what he has to say about peoples’ language foibles (yes, I said foibles). He has the same mentality that I do when it comes to editing: make good use of the language.

I had a discussion recently with someone in regards to prescriptive and descriptive grammar. For anyone who’s not a linguist, I’ll give you the basics: prescriptive grammarians believe that there are rules of grammar, and there should always be rules of grammar, and everyone should follow them all the time; language changes very slowly for them. Descriptive grammarians believe that language is meant to communicate between peoples and can, therefore, change dramatically and quickly between cultures and generations; language, then, isn’t meant to be restricted by rules, only to be broken down into grammatical elements to be studied.

The reason I bring that up is because language is meant to communicate and when someone fails to do so effectively, others notice. Most of the time it’s guys like McIntyre and me who love to find grammatical mistakes that severely limit one’s understanding of the text. Sometimes I wonder if it’s a sin to be so delightfully pleased by picking up on those things.

The other two people are fiction writers.

One of them is a moderator at the Fargoth World-Building Site. He’s a good reader and has a keen eye for good story. I’ve sent him a number of things in the past. Plus, he’s pretty funny. I trust his opinion because he understands the world-building process very well when it comes to Fantasy and Science Fiction. He does help run a website that is all about world-building after all.

The other is the notorious Howard von Darkmoor, who is a Fantasy book reviewer. He reads like no other person I know. His list of novels is seemingly endless, and somehow he manages to get through them with amazing speed. Sometimes I wonder if he actually has a job or if he just sits at home reading all day. He also has a good eye for marketable stories. He’s seen a lot of what works and a lot of what doesn’t. He’s also a good writer and a vocal supporter of writing groups – namely mine. His opinions are always well thought-out, and his critiques are always detailed. Even if you don’t agree with them, you’ll know where he’s coming from.

So those are mine. Most writers have them; some only have one; but it’s a good idea to find someone you can trust who will give you good advice about your writing. Don’t find people to stroke your ego: that won’t get you published. And don’t find people who have nothing kind to say about you or your writing: that only makes you not want to get published. You need someone who is honest but kind; someone who’s critical but helpful.


May 07 08:17

Small Press Doesn't Mean Small Time

Outside of The JB Dryden Company, I work for another company – Carnifex Press. It’s a small press that specializes in Speculative Fiction. If you have any sort of quandary as to what that is, take a look at this article. Carnifex is one of a nearly endless sea of small presses. They’re wonderful ways to expose the world to the better side of publishing, and they’re growing yearly in the number being put out.

A small press is basically a publishing house that has a very limited circulation and a fairly specialized list of criteria for publication under their name. most of them are great ways for new authors or unpublished ones to test out their submission skills. Many are always open to submissions, which is great considering the limited availability that most larger houses have – if they even accept something without an agent, which most don’t.

So what are some of the benefits?

1. They publish everything from poetry to novels – you’ll always find somewhere your piece will fit.
2. They are usually open to all sorts of genres or sub-genres.
3. They put together anthologies, which larger houses won’t do.
4. There’s a much larger internet community for small presses.
5. Some of them are free.

Small presses are great venues for a lot of people. Outside of the reasons listed above, small presses offer opportunity where it may not have been before. Also, if you’re a short story writer, small presses (or even university presses) are a much better way for you to go than to try and put together your own collection for a larger house. It’s just not practical to even attempt it.

So then you might ask: what are some of the drawbacks?

1. Most small presses are run by one or two people. As organized or as efficient as they might be, turn-around can sometimes be slow.
2. They’re really not money-making ventures; your pay is not going to be that great.
3. Not only might your pay not be great, but it might take a while to get it. Most small presses pay on publication, and if it takes a while for it to get to print, then it takes a while for you to get your money.
4. The biggest thing about getting your name in a small press is recognition – some people want more than that (I think it’s really a benefit).
5. A lot of small presses are very specialized; it might take a while for you to find the one that fits your style.

Don’t fret, though. There are plenty of resources out there to help you along. I’ve listed a few below. If you’re looking to get into the market as a writer, small presses are a great way to go. A small press may be a small business, but it’s certainly not small time.

Here are a few links:

Writer’s Market is a good place for general information. If you're interested in short stories and novels, try .

Duotrope's Digest is an online market listing of small presses. It's got a lot of good information about turn-around time, publication frequency, and other such things.

Ralan's Webstravaganze and Humor is a great place for the Speculative Fiction genre. I throw it on here because I use it a lot (and my own press is on there).